Josh convinces his brother JB that their life needs some excitement. So, the two sell their sister's prized horse and use the $100,000 to build their own record label. First, they need to find some talent. They search America to give one person the opportunity to be made a star.

In the face of executives insisting on selling UFA, producer Kaufmann, infused with the same spirit as President Klitzsch, declares that they will make a low-budget entertainment film that the public is sure to love. Who will take on such an audacious task? When Kaufmann himself is shuttered, one man takes up the challenge—Theo Wegmann, an assistant director at UFA. Foreseeing the end of the age of silent films, Theo suggests making a talking movie with singing. If Hollywood can do it, so can we here in Berlin! With the condition that he gets to choose his cast and staff, Theo promises Kaufmann that he will produce a low-budget movie that will entertain everyone and be a major hit.

"The Cinema Dolls" are a close group of friends in Atlanta providing a fascinating look into the lives of Actresses putting it all on the line in pursuit of success. Get inside the lives of women who live their lives chasing a dream. See them juggling the high-powered demands of the entertainment industry with the search of stardom. Realizing that there is power in numbers they've teamed up to pursue the same goal. Each girl has a story from their past that solidifies their drive for success. Follow them on their quest as they give you an inside look into what it takes to reach the ultimate goal of stardom. The unexpected personal and family issues showcased aren't stopping these ladies from pursuing their dreams. They work hard to inspire others to pursue there dreams despite of the obstacles placed in there life. With the help of their mentor they are challenged with high expectations. Through coaching, mentoring, and training they are being prepared for the dream they are pursing. ...

"The Cinema Dolls" are a close group of friends in Atlanta providing a fascinating look into the lives of Actresses putting it all on the line in pursuit of success. Get inside the lives of women who live their lives chasing a dream. See them juggling the high-powered demands of the entertainment industry with the search of stardom. Realizing that there is power in numbers they've teamed up to pursue the same goal. Each girl has a story from their past that solidifies their drive for success. Follow them on their quest as they give you an inside look into what it takes to reach the ultimate goal of stardom. The unexpected personal and family issues showcased aren't stopping these ladies from pursuing their dreams. They work hard to inspire others to pursue there dreams despite of the obstacles placed in there life. With the help of their mentor they are challenged with high expectations. Through coaching, mentoring, and training they are being prepared for the dream they are pursing. ...

In the cutthroat world of international finance, a group of young graduates compete for a limited set of permanent positions at a top investment bank in London. The boundaries between colleague, friend, lover, and enemy soon blur as they immerse themselves in a company culture defined as much by sex, drugs and ego as it is by deals and dividends.

Director Shah Krishna compiled this compelling documentary of Indian cinema after spending two years searching through film archives from all over the world. Included are films from the turn of the 20th century through the 1970s to illustrate various schools of filmmaking and the historical progression of the art form.

The Early Show is an American morning television show which was broadcast by CBS from New York City from 1999 to 2012. The program aired live from 7 to 9 a.m. Eastern Time Monday through Friday in the Eastern time zone; most affiliates in the Central, Mountain, and Pacific time zones aired the show on tape-delay from 7 to 9 a.m. local time. The Saturday edition aired live from 7 to 9 a.m. Eastern Time as well, but a number of affiliates did not carry it or aired it later on tape-delay. It premiered on November 1, 1999, and was the newest of the major networks' morning shows, although CBS has made several attempts to program in the morning slot since 1954. The show aired as a division of CBS News.The Early Show, like many of its predecessors, traditionally ran last in the ratings to its rivals, NBC's Today and ABC's Good Morning America. Much like NBC's The Today Show and The Tonight Show, the title The Early Show was analogous to that of CBS's late-night talk show, The Late Show.

The Early Show is an American morning television show which was broadcast by CBS from New York City from 1999 to 2012. The program aired live from 7 to 9 a.m. Eastern Time Monday through Friday in the Eastern time zone; most affiliates in the Central, Mountain, and Pacific time zones aired the show on tape-delay from 7 to 9 a.m. local time. The Saturday edition aired live from 7 to 9 a.m. Eastern Time as well, but a number of affiliates did not carry it or aired it later on tape-delay. It premiered on November 1, 1999, and was the newest of the major networks' morning shows, although CBS has made several attempts to program in the morning slot since 1954. The show aired as a division of CBS News.The Early Show, like many of its predecessors, traditionally ran last in the ratings to its rivals, NBC's Today and ABC's Good Morning America. Much like NBC's The Today Show and The Tonight Show, the title The Early Show was analogous to that of CBS's late-night talk show, The Late Show.

In 1821, in Cinema, he records the cinematic representations of the Revolution from the first decades of the 20th century. until the present day. Despite the fact that the Revolution of 1821 constitutes the founding act of the modern Greek state, as a subject matter it is underrepresented in national film production. This is one of the points on which the research looks, which simultaneously examines the periods of concentration of films on the subject of the Revolution or, respectively, the periods of its collective silence. The purpose of the documentary is to study the ideological discourse and the cinematic language of the films with the theme of 1821, in order to highlight the function of the cinema as a carrier of Public History and as a factor in shaping the collective historical consciousness.

A unique experience that immerses us in the history of experimental 3D techniques. Programmed and presented by filmmaker Blake Williams, the spectator will combine a diversity of three-dimensional glasses (Anaglyph, Pulfrich, ChromaDepth, Diffraction) with 16mm works by Paul Sharits, Hy Hirsh, Ken Jacobs, Takashi Ito, Kerry Laitala, Jeff Scher and Jodie Mack. Filters that change from one eye to the other, optical polyrhythms and illusions of depth, all will be part of this unforgettable Cinema of the Spectacles‘ journey.